Winter time; bitter, bitter cold. More snow this morning. I’ve written before about the benefits of working on a lot of paintings simultaneously. Working this way allows paint layers to dry thoroughly. Painting over a layer too soon leads to bad problems (to use a technical term), such as cracking and sinking in. Working this way…
I had my first painting session with Taking Note yesterday. Yesterday’s session will be the first of 12 or so. I can’t remember how many drawing sessions I had before I started painting–4 or 5 sounds about right. Taking Note is 42″ x 60″ and it’s a refreshing change of pace to work on a…
I am working on a new oil brush reference that is a companion to my Oil Paint Brands reference. I will discuss the brushes I’m familiar with and rate them too. I’ll update it as I have new material.I thought it would be done last week but stuff happened.
Kremer Pigment is known for their pigments and their vast selection of rare and hard to find materials. Their only ready-made oil paint is cremnitz white. You can order this white in linseed or walnut oil. Their linseed white is excellent–among the best I’ve tried. A 250 ml jar is $62, which is a bargain compared to other top brands. A 225ml tube from Old Holland is $200+.
Normally, I don’t like paint in jars or cans but my glass jar of white from Kremer has remained fresh and hasn’t formed a skin, as is often the case for jar-ed paint.
I added Kremer to my Oil Paint brand list.
RGH makes decent paint. Their affordable prices make them a good value. Not only that, you can select the oil type when ordering white (they have a nice variety of whites, including the all-important flake). For someone, like me, who prefers cold-pressed linseed, this is compelling. As far as I know, RGH is the only producer with this smart feature.
But some of their colors, including large-sized whites, are only available in jars. Cheap jars. Paint in jars (or cans) tends to form a skin. When the skin gets into the mass of paint, it ruins it. Removing the skin is tedious, time consuming, and wasteful. The only way to get rid of the skin is to remove a lot of paint. Knowing this, I spray water over the surface of the paint when sealing the jars. But a 250ml jar of cremnitz white formed a skin anyway. In spite of my best efforts, I didn’t get rid of all the skin and now it’s in the body of paint. Half the jar is useless–a $37 waste.
I won’t buy anymore colors available only in jars, which means I won’t buy large sizes of flake white from RGH until they change their policy.
By the way, the only producer of jar-ed paint I’ve had success with is Kremer and they use glass jars.
One of my pet peeves is subpar or crappy material marketed to artists at boutique prices. I will swallow hard and pay premium prices for premium material, but too often I end up paying top-dollar for unusable junk. The art supply market is chockablock will hucksters, con artists, and amateurs. Many producers simply do not know…
This morning, as usual, I worked on drawings, this time for a painting titled The Photographer. This was the 2nd drawing session for it. I spent the rest of the day painting on the 44″ x 56″ Washington Square. Today’s painting session was the 3rd for this painting; it’s still too raw to show. Yesterday I had my initial painting session on a work titled Three Young Women. The ground on this painting is more absorbent than what I normally use. I like it–the absorbent ground–a lot. It too is too raw to show you.
I get a lot of email from readers, mostly technical questions, which I always answer. A recent correspondent asked my opinion about Blockx oils. Blockx is one of the premium brands and I cover it in my OIl Paint Brands reference. Blockx is really fine paint; Not long ago, I got a terrific price on their…