
I’m late posting this journal entry. I actually posted a later version of the bottom painting, Girl in the Lavender Dress. That painting plus the painting on the easel, Break, are both in the Playhouse Square series. Break is 40″ x 50.”
It’s unusual to get rain showers in February in NE Ohio. Normally, the only precipitation we experience this time of year is snow–a lot of it. But the warm weather, 70+, was accompanied by driving, slashing rain. My son urged me to test the low-light capabilities of my new Nikon D750 camera. Have a look. This flashless photo…
Today, I finished the underpainting for the new painting Girl in the Lavender Dress. I based the design on several photos taken around Cleveland’s Playhouse Square, so the painting is part of the Playhouse Square series. Girl in the Lavender Dress, after my second session, is on the easel in this photo. On the Square, another…
I’ve always approached painting as a process of carving away and revealing, the way I imagine a sculptor approaches sculpting. Not modeling but carving. I bring this up because this unfinished painting, Sub Rosa, is a pretty good example of my approach. There are many ways to talk about painting, of course. I used to talk about…
It’s hard for me to understand this but until this week I never used Utrecht brand oils. I’m not sure why this is. I’ve visited their shops in NYC and Cleveland and ordered plenty of other things from them. True, I was disappointed with the easel I bought from them, but that was recent and doesn’t explain…
I spent the day working on Picnic. I’ve written before about how I stalled out on Picnic. The issue was predominately the background figures. I put them in; I took them out; I put them back in again. I use ultramarine violet a lot, it’s especially useful for cool grays. I used ultramarine violet on the shirt of the guy at the…