materials

Turpentine diaries 11/26/17

After flavoring my medium with additions for several days, today I used my normal medium.  I worked on this painting during both of today’s sessions.  When the painting surface is right, as with this painting, my normal medium is unbeatable.  What is a good surface?  I like smooth surfaces.  ‘Smooth’ means the canvas weave is…

Turpentine diaries 11/25/17

Yesterday’s Thanksgiving holiday was wonderful at our house.  We had three of our children here to share my wife’s delicious turkey and stuffing. Daughter Jane baked an apple pie, and son Keith made deep-fried mac and cheese.  The latter was something I’d never eaten.  Everything was excellent and, for once, I didn’t eat too much. This morning…

Wonderful sun-thickened oil

I’ve written about my everyday-medium plenty of times.  I frequently modify my medium for certain situations.  Sometimes, for example, I add a little Venice turpentine to the regular turpentine I use in my medium.  I add a very small amount of the sticky Venice turpentine to the medium. Other times, I add a small amount of sun-thickened…

Turpentine diaries 11/12/17

Today’s session with Booth at the Fair is my 5th. By contrast, yesterday’s sessions with On the Square was the 20th and final one.  I have a long way to go with this painting.  It’s 44″ x 60″ but it feels larger, perhaps it’s the amount of detail or the eleven figures that make it…

Turpentine diaries 10/22/17

To some, my studio might look like a jumbled mess, but to me, it looks ordered and purposeful.  I have three easels. I use the third one, the one not shown, for drawings.  I expanded my palette from my habitual dozen colors to what you see now on my home-made palette.  Just because I no longer count…

Multiple treatments of the same subject (yet again)

I spent another morning working on several versions of the same subject.   The top version is charcoal and chalk on toned ground.  The paper is extremely thick.  I don’t remember the supplier (I bought it some time ago) and I no longer like the super-rough surface. The bottom version is oil on canvas.  I used to…

Multiple treatments of the same subject (again)

Here are two more treatments of the same subject. I’ve written about this before.  This time, I made two drawings.  The top drawing is charcoal on toned paper heightened with chalk.  The bottom drawing is pen and ink on bristol board with watercolor washes. The subject, although obviously the same in both instances, feels different, which…

Multiple treatments of the same subject

Just now, I’m interested in multiple treatments of the same subject. I make drawings (cartoons) and transfer them to multiple surfaces.  So far, I’ve limited the process to two instances per drawing.  When I do an ambitious drawing perhaps I will expand to three or more treatments. This photo shows two versions of a small winter…