Category: materials

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Tom Hudson

My large order of heavy-duty stretcher strips arrived from Jerry’s on Thursday. Enough stretchers and cross braces for 12 paintings: 6 @ 36″ x 48″; 6 @ 40″ x 50″. I am preparing three at a time–three of one size and then three of the other and so forth. Buying in bulk saves money plus I got them on sale–$275 for the lot.  I have everything necessary to prepare the canvases–GAC 100, acrylic gesso, and oil ground. And the canvas, of course.

These 12 new canvases along with the 12 larger ones I prepared earlier (the biggest is 5′ x 6′) will keep me busy for awhile.

Status
Tom Hudson

I’ve whined before about the jars RGH uses for its paint. They’re useless–worse than useless. They don’t seal properly so unless you use the paint straightaway, it’s wasted. I lost one half of a 250ml jar this way. Even spraying water over the paint failed to preserve it.

The jars nullify an otherwise brilliant strategy. RGH offers the all-import lead white in a variety of sizes and binders. As far as I know, RGH is the only supplier that allows customers to select the binder–cold-press linseed, walnut, refined linseed, and others. Their prices are good too. But the jars make it moot and transform an instant buy into an avoid.

I notice that RGH now offers a 125ml tube of white, but the tube is priced at the same price as a 250ml jar! At this price, the tubbed white is not a bargin.

Status
Tom Hudson

I corrected the Gamblin entry in my oil paint brands reference. I erroneously provided the price of a 150ml tube of cerulean blue ($71. 21) instead of the 37ml tube, which is $26.21–a significant difference.

Broken easel

I gushed about my new easel last spring. It was my first new easel in a very long time. My other two easels are old and broken down. I’m always fighting them. The new easel–Utrecht Artist’s Convertible Easel, Vertical/Horizontal (51772-1001)–can support canvases up to 97″ high. It’s rugged but still mobile. I haven’t tested its limits, but…

In the studio 3/1/15

I worked the past several days on finishing the under-painting of The Woman in Purple Boots. The Woman in Purple Boots is 40″ x 50″ which is a nice size and format. I’m thinking of preparing a batch of canvases that size, say 4-5. I often prepare batches of the same size. Last year, I prepared 7-8 canvases that are…

Linseed or walnut?

Linseed oil or walnut oil? Linseed oil has always been more widely used, but walnut oil has its defenders–sometimes passionate defenders. Leonardo was one such. Walnut oil yellows less than linseed oil, but it’s relative. I suspect the difference affects poor quality versions of the oils, with low quality linseed yellowing more than poor quality walnut.…

In the studio 2/22/15

This 30″ x 40″ oil was almost among the unfinished paintings recently purged. Instead, things started clicking during yesterday’s session. I will finish it. The canvas is from a batch of canvases I prepared a year or so ago. All were finished the same way and were the say size–30″ x 40″. The ground on…

In the studio 2/18/15

The under-painting is done on The Photographer. All color areas are close to their planned final tone. Having said that, no part of the painting is finished; with the figure being the least finished. I’m happy with the stool and the hat. This 36″ x 48″ painting is thematically close to the similarly-sized The Explainer, which was…