This model turned out to be a favorite. This is the fourth painting to come out of a session with her. The long-suffering Mrs. Keeley agreed, to her regret, to an interminable photo session one chilly spring evening. Her white sweater and hair seen against the unpainted studio wall proved fascinating. That plus her shiny-bright…
I am always happy when I can show finished paintings. The painting in the upper-left is titled ‘Wayne in a Blue Cap.’ It’s of my father-in-law, Wayne Kaniper, who recently passed away. This painting is finished. The painting in the lower left, ‘The Blue Bow,’ is of my daughter Jane. She was inordinately proud of…
More recent work. The church is from a drawing I made in Colorado. I am using a mastic-based medium in this painting. In the past I used a jelly-type medium (Maroger), but stopped long ago. This medium isn’t jelly-like in the least even though it uses mastic. It’s an OK medium but not nearly as…
OK, so where are we now? The under-painting is done and the finishing work is started. To recap, my process is divided into several stages: Design/Drawing: I draw the deign with pencil then fix it with ink. The drawing is a plan: I work through every area and identify any issues. I can change the…
A favorite chair. I have used a white lawn chair in my paintings several times. I like its sensuous shape and the matte color provides an interesting contrast to the objects around it. The two paintings on the lower-right show my children with the chair, Jane on the far-right, Keith in the middle. The other…
The Cleveland Museum of Art, like most museums, rotates the paintings in its permanent collection. The museum recently rotated its Dutch School collection, happily bringing into view this little gem by Gerrit Dou. When I say little, I do mean little. This exquisite painting is a mere 6 3/8″ x 4 3/4.” Take a moment…
What’s unusual about today’s ‘In the Studio’ post is the works I’m showing were both finished today! The larger is titled ‘Jane Hudson and Her Father,’ (yes, it’s me holding my daughter Jane when she was about three). The landscape, ‘Colorado River #1,’ is on linen, which I do not often use.
As usual, here is some current work. The small self-portrait at top was recently finished (it’s still wet). It’s a companion to a gouache I did earlier this year. The painting on the lower-right (tentatively titled ‘Down’) has a warm orange-brown ground. I favor this tone for my grounds although I have used others.