I added RGH to my oil paint brand reference. RGH has supplanted Winsor Newton as my preferred mid-range brand. My second order from RGH arrived–again, shipped immediately–and the cold-pressed linseed flake white is very good. The outstanding quality along with competitive pricing makes this new brand a winner. Oh, they also included a free jar of permanent yellow.
Category: Shop Talk
Bio, Paintings, Shop Talk, Studio Corner, Uncategorized
In the studio 5/4/2014
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•Here is another painting from the cycle of large paintings ( this one is 42″ x 56″) that I am doing. The drawing was finished yesterday and it took yesterday and today to finish the initial under-painting. Following my usual practice, the detailed drawing–pencil over a raw umber ground–took several days. After fixing the drawing…
Reviews, Shop Talk, Studio Corner
Review: RGH Oil Paint
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•RGH Oils is a small manufacturer that promotes its wide-range of lead-based whites. I think that is smart. There is an opportunity here for small suppliers to fill the gap left as the larger companies cut production–and raise prices to lurid heights. After using the paints from my first order (shipped instantly, by the way),…
I placed my first order with RGH Paints. They are a small outfit that prides itself on their extensive line of lead white paint. They offer flake white in an assortment of binders and sizes. I ordered a small tube of the cold-pressed version along with a few other colors. If their stuff is any good, that’s a big deal now that some of the big boys have throttled back production of lead paint. As most oil painters know, lead white is the most valuable and useful paint. After I give their stuff a proper workout, I’ll update my Oil Paint Brand reference.
Bio, Paintings, Shop Talk, Studio Corner, Vermilion, OH
In the studio 4/6/2014
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•Two Cakes is 48″ x 48″. Unfinished, of course, as are most of the paintings shown in the “In the studio” posts. The left-side of the small container holds my standard medium: cold-pressed linseed oil+turpentine, + drops of copal varnish and coutrai drier. When I want firm, and fast-drying passages, I put the same mix…
Shop Talk, Tips and Studies, Uncategorized
Glop, goo, and jelly
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•I’ve never understood the fascination with thick, viscous oil painting mediums. Used for special effects, such mediums are perfectly fine, but for everyday work they are completely useless. I scratch my head whenever I see recipes based wholly on balsams or thickened oils–goo. Closely related to the goos are the jelly-like mediums–the glops. There are a…
Bio, Paintings, Shop Talk, Studio Corner, Uncategorized
Painting: Keith in Front of a White Chair
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•I listened to songs by PJ Harvey during this morning’s painting session (actually drawing session). Her songs are filled with the kind of poetry that tears you up–just what I like. Many of her songs are inspired by history, like WWI. That’s pretty unique. Anyway, I found a temporary solution to my slipping easel problem. A large binder clip fastened to the spine provides enough firmness to hold the cross-brace in place. Applying paint while the entire painting slides beneath your brush is VERY ANNOYING.