Studio Corner

Discussion of current works on the easel.

Turpentine diaries 6/17/18

The thing about this Fabriano drawing pad is I can work-up drawings with pencil or pen–my two favorite materials–without mess or fuss.  The really good paper I save for charcoal or pastel, but this paper is terrific for pencil drawing. This photo shows two recent pencil drawings on Fabriano bristol. This morning, I finished a…

Turpentine diaries

I got Along 4th Street on the easel yesterday and had some good sessions. I used walnut oil instead of linseed.  I find myself reaching for the walnut oil instead of the linseed more often. I picked up several drawing pads. I have a pile of good, loose paper but ran out of pads. Strathmore…

Turpentine diaries 5/27/18

The Woman in Red Pants is not over-large so I finished the underpainting, shown here, in 2 sessions. The Woman in Red Pants is 36″ x 48.”  We live in a great time when information about nearly every subject is at-hand, right?  Create a battery?  Create an electric motor?  Build a house?  There is also…

Turpentine diaries 5/19/18

The morning session with Agamemnon and Orestes was slow and easy.  With a large painting like this (44″ x 60″), I use hog bristle brushes for most of the work.  Today I used 5s and 6s.  You can see some of them on the easel table.  I always dip my brushes in oil when I…

Turpentine diaries 5/6/18

This photo shows Crossing after my 4th session. Nothing is close to being finished except the blue of the sky, ultramarine blue + cobalt blue + flake white. The broad range of scale among the figures is fun to paint. As an exercise, try changing-up the scale in your paintings.   

Turpentine diaries 4/22/18

I hoped to finish the underpainting on Crossing but, as you can see in the accompanying photo, I ran out of gas.  The initial stage for a painting of this size, 40″ x 50″, is about getting paint on the canvas. By the time I start painting, the design is complete.  But change is natural. …

Turpentine diaries 4/15/18

Last week, I saw one of the better shows that I’ve seen in Cleveland.  Global Matrix IV at the Gallery at Cleveland State U  contains first-rate prints from contemporary European artists.  I plan to review the show later this week after I visit it one more time. Along 4th Street is poking along (ahem), although…

Turpentine diaries 4/8/18

I worked on the two paintings in the center of this photo today.  Today’s session with Girl with a Maroon Colored Cap was the second one.  Phone Call on Main Street is almost finished [knock wood].