The drawing is transferred to the canvas for the new painting I’m calling The Entertainer. The Entertainer is 40″ x 50″. I applied the warm ground with a rag. I was careful to keep the ground thin so that the drawing shows through, as you can see in the photo. There are 12 figures in…
Category: Turpentine diaries
Grumpy review, materials, Reviews, Turpentine diaries
Goop nope
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•After talking with Robert Doak, I followed his recommendation and purchased some of his Painting Goop. I shouldn’t have. I normally stay away from thick painting mediums, but I enjoyed my far-ranging conversion, and everything I’ve purchased before was top-quality, I thought, “Why not?” Goop is thick, resembling toothpaste. When thinned with turp and worked…
Books, materials, Shop Talk, Turpentine diaries, Uncategorized
St. Charles’ good book
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•Methods and Materials of Painting of the Great Schools and Masters by Sir Charles Eastlake is the best resource–by far–for information about painting methods and materials. Just like the title states. The older studio traditions had already faded into the past when Sir Charles published the first volume in 1847, so the book is a…
anecdotes, materials, Paintings, Shop Talk, Turpentine diaries
Robert Doak
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•anecdotes, Main Street, Paintings, Shop Talk, Studio Corner, Turpentine diaries
I think no, I mean yes
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•Bio, materials, Paintings, Shop Talk, Turpentine diaries
Turpentine diaries 7/21/19
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•The first day painting on a new design is always exiting. True, paintings almost never live up to the vision in my mind’s eye, but I start every new painting with the same anticipation. I can’t wait to get started! This photo shows The Green Umbrella after a four-hour painting session. There’s a long way…
Paintings, Shop Talk, Studio Corner, Tips and Studies, Turpentine diaries
Turpentine diaries 7/14/19
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•In recent days I’ve spent time preparing new paintings, that is, drawing and finishing designs. However, I did spend some time actually painting. I had several sessions with my most recent painting, Lens. Most objects come alive under the brush by using the complement of its primary color in the half-tones–the areas between the higher…