This is a companion to my canvas stretching post. After you stretch a perfectly taut and square canvas, you’re ready to prepare the surface. Our goal is threefold: protect the canvas protect the paint create a perfect surface Why do we have to protect the canvas? Oil is acidic, so if you paint directly on…
I hoped to finish the underpainting on Crossing but, as you can see in the accompanying photo, I ran out of gas. The initial stage for a painting of this size, 40″ x 50″, is about getting paint on the canvas. By the time I start painting, the design is complete. But change is natural. …
Snow in NE Ohio on April 17! OK, just a dusting but I cannot remember snow this late before.
Last week, I saw one of the better shows that I’ve seen in Cleveland. Global Matrix IV at the Gallery at Cleveland State U contains first-rate prints from contemporary European artists. I plan to review the show later this week after I visit it one more time. Along 4th Street is poking along (ahem), although…
While it’s true that I didn’t learn anything about painting at art school, it isn’t true that I didn’t learn anything at all. I learned a lot about printmaking, and I learned how to stretch canvases. That canvas-stretching skill has stood me in good stead. I can’t think of a single instance when the technique…
During my last weekly visit to the Cleveland Museum of Art, I saw Eyewitness Views for the fourth time. Eyewitness Views is the best show I’ve seen at the Cleveland museum and one of the best I’ve ever seen. Do yourself a favor and visit the show before it closes 5/20. Canaletto is a marvel. I am writing a review.
I worked on the two paintings in the center of this photo today. Today’s session with Girl with a Maroon Colored Cap was the second one. Phone Call on Main Street is almost finished [knock wood].
This is a photo of two paintings I started today. That is, I started applying paint to the canvases today; drawing started several days ago. So, this shows the underpainting where I’m just covering the surface with paint. Both paintings are 30″ x 40.” I’m still using the Utretcht lead white, their Flemish white. It…