Mirror

An artist is like a man sitting in a dark room holding a mirror. There in the dark, little can be seen. But if he opens the ‘Nature’ window, light floods the room and an impossibly beautiful vista opens before him. He can study the beauties through the window or study his own face in…

Painting Mediums

Painting mediums are a never-ending topic for discussion and debate among artists. Mediums profoundly affect how oil paint handles, and many preparations are complicated or dangerous, filled with ancient lore and alchemical processes. Oil by its nature is flowing and slow drying, qualities that during the early Renaissance led to the birth of large-format paintings…

Tip: Painting Flesh

There is not a single best way to paint Caucasian flesh.  Any orange-brown tone can serve as a base that can be made lighter and darker, and cooler and warmer as needed. As simple as this sounds, it’s maddeningly easy to misfire when painting portraits or figures. The eye scans portraits and notices false notes…

Review: Joseph O’Sickey at Bonfoey Gallery

Just now there is a lot of news and information about O’Sickey. The Canton Museum of Art is hosting an exhibition of his work through July 21, and the Bonfoey Gallery’s exhibition runs through the 13th. The Bonfoey exhibition–Travels: Provence and Maine–consists of an outstanding collection of large works that provide those or us unfamiliar…

Oil Paint Brands Update 6/30/2013

This is my second update to the Oil Paint Brands post (a compendium of information about oil paint producers). Blue Ridge has proved to be a reliable producer and they have supplanted Windsor Newton as my day-to-day paint. Their paint is excellent and I had a bad experience with WN. Recently I bought two 200…

“Why?” (do you visit the museum so often)

A professional from Guadalajara visiting Cleveland for the first time was enthusing about the city’s many attractions, especially the art museum. “It’s magnificent–world class,” she exclaimed! “The Rubens, the Velasquez, the Goya…,”  she rattled-off several more masterpieces she’d seen. “I know,” I nodded, “I visit the museum every week.” “Every week? But, WHY,” the astonished art lover…

In the Studio 6/23/2013

Not much to report this time as I’ve been under the weather. The small landscape is part of a Rockies-based series. I own a small property in Colorado but I don’t get out there often. If I moved away from the water, I would head for the mountains. The painting in the upper-right was finished…

In the Studio 6/16/2013

Here are three paintings I’ve started.  The drawings for the bottom two were recently finished. All three are in the under-painting stage. These deviate somewhat from the more strict under-painting demonstrated in the ‘The Call.’ In that painting, the under-painting is restricted to neutrals, whereas in these the local color (still well towards neutral, however)…