This painting, Girl in the Purple Boots II, is typical of how I work these days. Like the earlier version, Girl in the Purple Boots I, the painting is based on a mash-up of several photos taken around the same time at the same location. In the case of the Purple Boots paintings, the photos…
This photo shows painting cups in front of my custom-made palette. I always use this selection of mediums and solvents when I paint. In the left-most container is my medium. My medium is very drying which means, among other things, that it is very rough on brush heads. Not only does it dry out the brush hairs,…
RGH Oils is a small manufacturer that promotes its wide-range of lead-based whites. I think that is smart. There is an opportunity here for small suppliers to fill the gap left as the larger companies cut production–and raise prices to lurid heights. After using the paints from my first order (shipped instantly, by the way),…
We are in the midst of a surging revival of interest in historical painting methods. More is written on the topic each day. Many authors point to received experts (Eastlake and Doerner to name just two—my own threadbare copies are much-thumbed) and claim to have rediscovered or reinvented long-lost methods. The pursuit of the ‘lost…
The winds from a furious Nor’easter pound against the studio windows. Whitecaps crash against the shore one after the other with ceaseless regularity, their white froth nearlty reaching the studio door. They say this storm will join with hurricane Sandy in the next day or so. Inside it’s comfy-cozy. The only thing to complain of…
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